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29 Apr

Sara, you're the poet in my heart Never change, never stop And now it's gone They say it doesn't matter what for When you build your house, call me…All I ever wanted was to know That you were dreaming There's a heartbeat No, it never really died You never really died Nicks and Henley's torrid two-year affair had been no secret, and the subsequent abortion had been well-known.But Nicks said the song – which was originally 16 minutes long and included nine verses cut from the album – also dealt with Mick Fleetwood's wife, Sara, and other aspects of the band's disintegrating relationships.The revelation sheds light on the song's lyrics: Wait a minute, baby Stay with me awhile Said you'd give me light But you never told me about the fire..."Sometimes you can't see it in yourself, but you sure as heck can see it in someone else. She had a gang of rich kids, like Lindsay Lohan today.That same bunch of girls comes around every 15 years." PHOTOS: Celebrity health scares With this many confessions, Nicks explained why she has yet to pen a memoir.She said, ‘I met him at some point during the age of 17.’ But I thought she said, ‘The edge of 17.’ I said, ‘Jane, can I use that? " While the song is said to be partly about John Lennon’s murder, Nicks added that it’s also “a little bit about Tom.” That was Jane talking about Tom,” she revealed of the lyrics about a broken-hearted soul.“I bet a lot of people thought I was talking about me, but I was chronicling their relationship as she told it to me.” The world is not ready for my memoir, I guarantee you,” she said.

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“I believe, to the best of my knowledge, [that Nicks] became pregnant by me.

And she named the kid Sara, and she had an abortion – and then wrote the song of the same name to the spirit of the aborted baby,” he told magazine on Friday, Nicks said their baby inspired many of the song's lyrics.

“Had I married Don and had that baby, and had she been a girl, I would have named her Sara,” she said.

Addicted to alcohol and quaaludes, as well as cocaine, the Fleetwood Mac singer started to suffer from nosebleeds, blackouts, falls on stage, and near overdoses.

Stevie tells biographer Zoe Howe, “There was no way to get off the white horse and I didn’t want to.” Once her doctor warned her she was risking permanent damage or death from her drug use, band members staged an intervention and Nicks entered the Betty Ford Center to clean up.